Drawings: OCA Part 3: Drawing Trees III - Study of Several Trees

Study of Several Trees

Ink on Paper - A3

 

Study of Several Trees - Silver Birches

Fine Liner on Paper - A4

Learning Log

 

How many different tree types have you drawn?

I am definitely no expert on trees but I’ve definitely had a go at drawing quite a few different types, oak, elm and birches at least.

What techniques did you use to distinguish each type?

I was not really focusing on analyzing the type of tree I was drawing but more on the individual tree itself and the way it had adapted to its own environment. To achieve this I concentrated on its own particular characteristics i.e. the shape and direction of its branches and sometimes detailing some of the leaves, this acts like a fingerprint to identify the type of tree it is.

What did you do to convey the mass of foliage?

Once I had plotted out the basic shape of the tree and all its elements, I would identify how the branches interact with the foliage, how bits clumped together and the direction they went in. I did a bit of experimentation but I found that being loose with the detail works best, just enough to give an impression of the foliage. I think this works best because when viewing a tree you do not register all the leaves and twigs individually, you tend to think of it as one united object.

I used very simple marks in the fine liner drawing of the birches, slightly messy marks because the foliage seemed to scribble its way around the trees.

How did you handle the light on the trees? Was it successful?

In the individual tree drawings once I had described enough of the rough details, I shaded with the intention of seeing the entire tree as one object. This allowed me to keep similar levels of light and dark continuing through the entire drawing, so the darkest points stayed as the darkest points without getting lost. I also attempted to capture the way the light shone through the clumps of foliage in places, almost glittering amongst the greenery, by concentrating on the details.

In the group of trees I produced in ink there is a much starker contrast because of the media, although less subtle this did allow me to maintain a consistent level easily. In the fine-liner drawing of the birches, the second colour of the green sort of acted as a mid-tone in places.

Did you manage to select and simplify? Look at your drawings and make notes on how you did this, and what could you do better?

After finishing this project I can conclude that knowing what to select and what to simplify is really quite tricky, include too much and it will make for an uncomfortable drawing, too little and the piece will seem unfinished, wanting more.

In the study of the oak tree and the elm tree in the second exercise I think I did this quite successfully, I spent a lot of time picking out the important details to include and eliminating those elements that seemed less important. In the group studies I think I may have simplified possibly too much in places, though I am very happy with the texture the ink was able to convey.

Overall I think I have done quite well in this project I am pleased with the results and I have definitely enjoyed working through it. Trees are still one of my favourite subjects and I shall no doubt return to them in the not too distant future.

 

Drawings: OCA Part 3: Drawing Trees I - Sketching an Individual Tree

Sketching an Individual Tree - Small Sketches

'Like people, trees are all individuals.'

- David Hockney

 

Sketching an Individual Tree - St James Park

Pencil on Paper

 

Trees are a subject that I always love to draw, no two trees will ever be the same, and they are an infinite supply of inspiration. Indeed, no two drawings of the same tree will be the same either as they are always continuously changing colour and shape, through the seasons etc.

It is also the process of drawing trees that I find enjoyable, starting with the basic shape and building up the mass of the drawing, adding in details such as twigs and leaves that might catch my eye and lend a distinct character to the drawing and individual tree.

Quick Sketches of Trees

Ink and Biro (Left) . Charcoal (Right)

 

Tree in  Local Park

Pastel on Coloured Paper

 

Drawings: Some Christmas Holly

Pencil on Cartridge Paper

I created this piece today, especially for the festive season, of some holly leaves and berries. Drawing Santa or a snowman didn’t really seem ‘arty’ enough but I thought I could get away with this simple but seasonal sketch.

I used pencils to draw with for this piece, creating a rough sketch first to get an idea of the composition, before adding details like the veins and shadow.

One last thing to say and that’s Merry Christmas!

Paintings: Summery Tree

Acrylics on Cartridge Paper 14"x13"

Bit of an antithesis to the current season but I am putting this piece up as a reminder of how colourful and alive the trees were in summer compared to now, and because I quite like it.

I used palette knives to apply all the paint on this piece, this was the first time I’d used them on paper, so it was an interesting experience, I still prefer using them on board or canvas though.

To start the piece off, I used some blue acrylic mixed with white to show the patches where that warm, clear summer sky would be peaking through the foliage of the tree. I then started on the branches to get the shape of the tree before beginning the fun part; the leaves. I went a bit crazy with these which is probably why the final result is a lot rougher than I had anticipated but I am not too disappointed with it. I put quite a bit of yellow into the leaves because they often seem to have a yellowish gleam to them where they reflect the sun.



Plaster Re-Leaf

Plaster Relief of Leaves 8.5" x 4"

So this is something that I had never tried before until a few weeks ago; Using moulds to create plaster reliefs. I started by carving a few basic leafy shapes into a slab of old clay to form a mould, into which I poured some wet plaster and left it to dry out. This was the result of my first try. Considering it is a method that I've never employed before I'm pleasantly suprised and quite satisfied with it.

I did have a go at using plaster last year on my art foundation course however I never seemed to get any decent results, I would just inevitably just end up staring at a sloppy white mess.

So yes, considering everything I am quite happy with this, I think Plaster reliefs are a good cross between a drawing and a sculptural pieces. Oh, and I hope my corny joke in the title of this post is appreciated.